{"id":905,"date":"2019-04-13T08:47:34","date_gmt":"2019-04-13T08:47:34","guid":{"rendered":"http:\/\/www.stephaniemenase.com\/?page_id=905"},"modified":"2025-05-29T07:39:17","modified_gmt":"2025-05-29T07:39:17","slug":"articles","status":"publish","type":"page","link":"http:\/\/www.stephaniemenase.com\/?page_id=905","title":{"rendered":"Articles\/papers, contributions, conferences"},"content":{"rendered":"

\u2022\u00a0Lecture de Claude Simon\u00a0\u00bb, \u00e9dition en fac-simil\u00e9 d’un passage in\u00e9dit d\u2019un cours de Merleau-Ponty (1961), en collaboration avec Jacques Neefs,\u00abRevue<\/span> Genesis, <\/i><\/span>ITEM\/CNRS, 1994, n\u00ba\u00a06, \u00c9d.\u00a0Jean-Michel Place, p.\u00a0133-165;<\/span><\/span><\/span><\/span><\/p>\n

\u2022\u00a0\u00ab\u00a0Notes de lecture et commentaires de Merleau-Ponty sur <\/span>Th\u00e9orie du champ de la conscience<\/i><\/span> de Gurwitsch\u00a0\u00bb, <\/span>Revue de m\u00e9taphysique et de morale<\/i><\/span>, n\u00ba\u00a03, septembre 1997, p.\u00a0321-342;<\/span><\/span><\/span><\/span><\/p>\n

\u2022\u00a0Contribution \u00e0 la r\u00e9daction d\u2019articles du chapitre \u00ab\u00a0L\u2019homme en soci\u00e9t\u00e9\u00a0\u00bb, <\/span>Le Nouveau M\u00e9mo<\/i><\/span>, Encyclop\u00e9die Larousse en 1\u00a0volume, 1999, p.\u00a0964\u00a0; 966\u00a0; 967;<\/span><\/span><\/span><\/span><\/p>\n

\u2022\u00a0\u00ab\u00a0Un aspect du probl\u00e8me de la gen\u00e8se, \u00e0 partir d\u2019une note manuscrite de Maurice Merleau-Ponty\u00a0\u00bb, Revue <\/span>Genesis<\/i><\/span>, ITEM\/CNRS, 2000, n\u00ba 15, \u00c9d. Jean-Michel Place, p.\u00a081-95;<\/span><\/span><\/span><\/span><\/p>\n

\u2022\u00a0\u00ab\u00a0Maurice Merleau-Ponty\u00a0: <\/span>Le Visible et l\u2019invisible<\/i><\/span>\u00a0\u00bb, <\/span>Brouillons d\u2019\u00e9crivains<\/i><\/span>, catalogue d\u2019exposition, BNF, \u00e9d. M.\u00a0O.\u00a0Germain et D.\u00a0Thibault, 2001, p.\u00a0116-117;<\/span><\/span><\/span><\/span><\/p>\n

\u2022\u00a0\u00ab\u00a0\u00c9tienne Balibar\u00a0\u00bb, <\/span>in<\/i><\/span> J.\u00a0Julliard et M.\u00a0Winock (dir.), <\/span>Dictionnaire des intellectuels<\/i><\/span> fran\u00e7ais<\/i><\/span>, nouv. \u00e9d., Paris, Seuil, 2002, p.\u00a0126-128;<\/span><\/span><\/span><\/span><\/p>\n

\u2022\u00a0\u00ab\u00a0Penser avec Merleau-Ponty\u00a0: un processus g\u00e9n\u00e9tique\u00a0\u00bb, Revue <\/span>Genesis<\/i><\/span>, ITEM\/CNRS, 2003, n\u00ba\u00a022, \u00c9d. Jean-Michel Place, p.\u00a0125-141;<\/span><\/span><\/span><\/span><\/p>\n

\u2022\u00a0<\/span>\u00ab\u00a0Principe de plaisir\/principe de r\u00e9alit\u00e9\u00a0\u00bb\u00a0; \u00ab\u00a0Pulsion\u00a0\u00bb, <\/span><\/span>Notions<\/i><\/span><\/span>, Encyclopaedia Universalis, Paris, 2004;<\/span><\/span><\/span><\/span><\/p>\n

\u2022\u00a0<\/span>\u00ab\u00a0Perversion\u00a0\u00bb, <\/span><\/span>Notions <\/i><\/span><\/span>(nouvelle \u00e9dition), Encyclopaedia Universalis, Paris, 2005;<\/span><\/span><\/span><\/span><\/p>\n

\u2022\u00a0\u00ab\u00a0Merleau-Ponty\u00a0: une \u00e9criture \u00e9labor\u00e9e\u00a0?\u00a0\u00bb, <\/span>Rue Descartes<\/i><\/span> (Revue du Coll\u00e8ge international de philosophie), n\u00ba\u00a050, novembre 2005, p.\u00a0100-117:<\/span><\/span><\/span><\/span><\/p>\n

\u2022 \u00ab\u00a0Comment apprendre \u00e0 voir d\u2019apr\u00e8s <\/span>Le Visible et l\u2019Invisible<\/i><\/span> de Maurice Merleau-Ponty\u00a0?\u00a0\u00bb, contribution au colloque \u00ab\u00a0L\u2019art, l\u2019imaginaire, le sensible\u00a0\u00bb, Universit\u00e9 de Li\u00e8ge, octobre 2005, <\/span>La Part de l\u2019\u0153il<\/i><\/span>, Bruxelles, n\u00ba\u00a021-22, 2006-2007, p.\u00a081-93;<\/span><\/span><\/span><\/span><\/p>\n

\u2022 \u00ab\u00a0Passividade e cria\u00e7\u00e3o\u00a0: a possibilidade e a experi\u00eancia de uma rela\u00e7\u00e3o aberta ao mundo segundo Merleau-Ponty\u00a0\u00bb, traduction en portugais Leandro Cardim, contribution au colloque Merleau-Ponty de Salvador de Bahia, Universit\u00e9 f\u00e9d\u00e9rale de Bahia, Salvador, \u00c9d. Quarteto, 2009, p.\u00a0222-257;<\/span><\/span><\/span><\/span><\/p>\n

\u2022 \u00ab\u00a0Entre la tache et la touche : la recherche d’une expression libre\u00a0\u00bb, traduction en portugais par Rosa Gabriella Gon\u00e7alves, <\/span><\/span>Revista Cultura visual<\/i><\/span><\/span>, PPGAV-EBA-UFBA, n\u00b012, 2009;<\/span><\/span><\/span><\/span><\/p>\n

\u2022 <\/span>\u00ab\u00a0La m\u00e9diation de la transparence\u00a0: m\u00e9dium, support, texture\u00a0\u00bb, revue <\/span><\/span><\/span><\/span>Esquisse(s)<\/span><\/span><\/span><\/span><\/em>, n\u00b04, 2009, p.\u00a019-21;<\/span><\/span><\/span><\/span><\/p>\n

\u2022 <\/span>\u00ab\u00a0Rapport cr\u00e9atif au monde\u00a0: sens et cons\u00e9quences ontologiques\u00a0\u00bb, avec illustrations, <\/span><\/span><\/span><\/span>Art & th\u00e9rapie, revue de l’INECAT, <\/span><\/span><\/span><\/span><\/em>n\u00b0\u00a0102\/103,<\/span><\/span><\/span><\/span> 2009, p.<\/span><\/span><\/span><\/span>\u00a041-55;<\/span><\/span><\/span><\/p>\n

\u2022 <\/span>\u00ab\u00a0Pourquoi ne peut-on pas d\u00e9crire en une seule phrase la M\u00e9thode Feldenkrais\u00a0?\u00a0\u00bb,<\/span><\/span> Corpus 6, n\u00b066<\/i><\/span><\/span>, 2014;<\/span><\/span><\/span><\/span><\/p>\n

\u2022 \u00ab\u00a0Art du toucher\u00a0: en peinture et en Feldenkrais\u00a0\u00bb, <\/span>Corpus 8, n\u00b068<\/i><\/span>, 2016\u00a0;<\/span><\/span><\/span><\/span><\/p>\n

\u2022 <\/span>\u00abApprendre l’incarnation avec le Feldenkrais\u00a0\u00bb, version abr\u00e9g\u00e9e in\u00a0<\/span><\/span><\/span><\/span>Actes<\/span><\/span><\/span><\/span><\/em>\u00a0<\/span><\/span><\/span>du Colloque International \u00ab\u00a0Prise de conscience dans la \u00a0situation d\u2019enseignement\u00a0: corps, gestes, paroles\u00a0\u00bb, Cr\u00e9teil, 25 et 26\u00a0mai\u00a02016, LIRTES\/IMAGINER, p.\u00a0114-116, r\u00e9\u00e9dit\u00e9 int\u00e9gralement in <\/span><\/span><\/span><\/span>Corpus 9<\/i><\/span><\/span><\/span><\/span>, n\u00b069, 2017-2018\u00a0;<\/span><\/span><\/span><\/span><\/p>\n

\u2022 \u00ab\u00a0Principes, conditions, modalit\u00e9s dans la M\u00e9thode Feldenkrais\u00a0\u00bb, <\/span>Corpus 10B, n\u00b070<\/i><\/span>,\u00a02018-2019, p.\u00a087-88\u00a0;<\/span><\/span><\/span><\/span><\/p>\n

\u2022 \u00ab\u00a0Lectures recommand\u00e9es par Mosh\u00e9 Feldenkrais en 1975\u00a0\u00bb,\u00a0<\/span>Corpus 10B, n\u00b070<\/i><\/span>,\u00a02018-2019, p.\u00a098-107.<\/span><\/span><\/span><\/span><\/p>\n

contribution visuelle:
\n\u2022 in \u00ab\u00a0Ouvrir le jour \u00bb, revue d’art, n\u00b01, \u00e9d. L. Mauguin, 2024, \u00e9l\u00e9ments de \u00ab\u00a0Crescendo-decrescendo\u00a0\u00bb, 150x150cm, p.17-18; 36; 39; 47. isbn: 978-912207-59-2<\/span><\/span><\/span><\/span><\/p>\n

Quelques articles consultables<\/a><\/p>\n\n\n

Autres articles<\/a>: publications consultables<\/p>\n\n\n\n

Sites Web et leur contenu:<\/p>\n\n\n\n